The script is special to me; it makes me emotional because it was King Kong that got me interested in the world of special photographic techniques when I saw it in 1933. Produced and distributed by Toho Studios, it is the third film in the Godzilla franchise, and the first of two Toho-produced films featuring King Kong. Aliens known as the Xiliens arrive on Earth seeking to borrow Godzilla and Rodan to save their planet from Monster Zero. [70] This release sold $749,747 worth of Blu-rays. (King Kong Tai Gojira) Country: JAP Technical: bw 99m Director: Inoshiro Honda Cast: Michael Keith, James Yogi, Harry Holcombe Synopsis: A US submarine inadvertently releases Godzilla when it collides with his iceberg, and a Japanese pharmaceutical/TV company makes for Kong island to square off against the giant lizard. Suddenly, a bolt of lightning from thunder clouds strikes Kong, reviving him and charging him up. Sakurai and Furue place Kong on a large raft and begin to transport him back to Japan. Buyer beware: this is the "American" version only of KKVG which is the inferior version of the film. Universal-International Country. American nuclear weapons testing results in the creation of a seemingly unstoppable, dinosaur-like beast. He is captured and brought to Japan, where he escapes from captivity and battles Godzilla. [11] O'Brien took the project (which consisted of some concept art[12] and a screenplay treatment) to RKO to secure permission to use the King Kong character. Another puppet (from the waist up) was also designed that had a nozzle in the mouth to spray out liquid mist simulating Godzilla's atomic breath. The suit's body design was a team effort by brothers Koei Yagi and Kanji Yagi and was covered with expensive yak hair, which Eizo Kaimai hand-dyed brown. However, the advanced submarine, the Gotengo, intervenes and saves … When I came out, I was pale all over". These alterations included the removal of its tiny ears, three toes on each foot rather than four, enlarged central dorsal fins and a bulkier body. Boasting better than average special effects, this is a movie with all flash and little substance until the final scenes. Tako immediately sends two men, Osamu Sakurai and Kinsaburo Furue, to find and bring back the monster. [55], In Japan, the film was released on August 11, 1962. A typhoon washes ashore a gigantic egg that's claimed by greedy entrepreneurs near Nagoya. [22] Honda stated "People were making a big deal out of ratings, but my own view of TV shows was that they did not take the viewer seriously, that they took the audience for granted...so I decided to show that through my movie"[21] and "the reason I showed the monster battle through the prism of a ratings war was to depict the reality of the times". [18] Merian C. Cooper was bitterly opposed to the project, stating in a letter addressed to his friend Douglas Burden, "I was indignant when some Japanese company made a belittling thing, to a creative mind, called King Kong vs. Godzilla. It played alongside Invasion of Astro-Monster and Godzilla vs. and stated that the correct answer was "Godzilla". The resultant quality was far superior to previous reconstructions, but not perfect; an abrupt cut caused by missing frames at the beginning or end of a trim is evident whenever the master switches between the Champion cut and a 35mm trim within the same shot. The men would rehearse for hours and would base their moves on that from professional wrestling (a sport that was growing in popularity in Japan),[32] in particular the movies of Toyonobori.[33]. [112] It was spoofed in The Simpsons episode "Wedding for Disaster". [77][78] The 1970 re-release sold 870,000 tickets,[56] equivalent to estimated gross receipts of approximately ¥280 million[75] ($780,000). He is captured and brought to Japan, where he escapes from captivity and battles Godzilla. Produced and distributed by Toho Studios, it is the third film in the Godzilla franchise, and the first of two Toho-produced films featuring King Kong. In the film, as Godzilla is reawakened by an American submarine, a pharmaceutical company captures King Kong for promotional uses, which culminates into a battle on Mount Fuji. In the scene where Kong drinks the berry juice and falls asleep, he was trapped in the suit for three hours. For example, a question in the "Genus III" edition of the popular board game Trivial Pursuit asked, "Who wins in the Japanese version of King Kong vs. The two rivals soon clash in a giant climatic battle. [53] They also obtained stock footage from the film The Mysterians from RKO (the film's U.S. copyright holder at the time) which was used to not only represent the ICS, but which was also utilized during the film's climax. As mentioned previously, King Kong vs. Godzilla was a Toho Studios production, and was made first and foremost for a Japanese audience. Running Time: 1 hr 30 mins Was this review helpful to you? In the summer of 2014, the film was released for the first time on Blu-ray as part of the company releasing the entire series on the Blu-ray format for Godzilla's 60th anniversary.[69]. Shinichi Sekizawa wrote a screenplay for the film, which had the simple working title of Continuation: King Kong vs. Godzilla, and submitted it in 1963. Godzilla's roar, followed by Kong's, is on the Japanese soundtrack. During this time, the story was renamed King Kong vs. the Ginko[13] when it was believed that Universal had the rights to the Frankenstein name (it actually only had the rights to the monster's makeup design by Jack Pierce). From all accounts, in its original form, this film was a perfect satire on runaway commercialism and the consequences that can happen if people go to far in the pursuit of money. [37] Finally, a separate prop of Godzilla's tail was also built for close up practical shots when its tail would be used (such as the scene where Godzilla trips Kong with its tail). [68], In 2014, Toho released a new restoration of the film on Blu-Ray, which utilized the 35mm edits once again, but only those available for reels 2-7 of the film were able to be located. The news of this soon leads to Mr. Tako, the chairman of a pharmaceutical company, to seek a monster of his own to generate publicity. 2 Photos. These celebrity lookalikes will make you do a serious double-take. King Kong vs. Godzilla. [90] Toho was interested in producing a series around their version of King Kong, but were refused by RKO. Kong wakes up and breaks free from the raft. He is captured and brought to Japan, where he escapes from captivity and battles Godzilla. In 2021, they’re having a rematch. [63], In North America, King Kong vs. Godzilla premiered in New York City on June 26, 1963. Godzilla. 8,[48] which states in the film's plot synopsis, A spectacular duel is arranged on the summit of Mt. [54], Beck spent roughly $15,500 making his English version and sold the film to Universal-International for roughly $200,000 on April 29, 1963. [91] However, Toho would handle the character once more in 1967 to help Rankin/Bass co-produce their film King Kong Escapes, which was loosely based on a cartoon series Rankin/Bass had produced. Much of the original soundtrack was also removed. They then re-released the film on Blu-ray on April 1, 2014, along with King Kong Escapes. Godzilla. "I don't think a monster should ever be a comical character." Directed by (2) Writing credits (5) Cast (55) Produced by (2) Music by (1) Cinematography by (1) Film Editing by (3) Production Design by (2) Second Unit Director or Assistant Director (2) Sound Department (3) Special Effects by (8) [30] Additionally, the theatrical release was accompanied by both a true 4.0 stereophonic soundtrack, and a regular monaural mix. The news of this soon leads to Mr. Tako, the chairman of a pharmaceutical company, to seek a monster of his own to generate publicity. [98], In 1992, to coincide with the company's 60th anniversary, Toho expressed interest in remaking the film as Godzilla vs. King Kong. King Kong Escapes, released in Japan as King Kong's Counterattack (キングコングの逆襲, Kingu Kongu no Gyakushū), is a 1967 Japanese-American science-fiction kaiju film featuring King Kong, co-produced by Toho and Rankin/Bass.The film was directed by Ishirō Honda with special effects by Eiji Tsuburaya and stars Rhodes Reason, Linda Jo Miller, Akira Takarada, Mie Hama, Eisei … [56] It was re-released twice as part of the Champion Matsuri (東宝チャンピオンまつり),[57] a film festival that ran from 1969 through 1978 that featured numerous films packaged together and aimed at children, first in 1970,[58] and then again in 1977,[59] to coincide with the Japanese release of the 1976 version of King Kong. Eric Cater, a reporter for the United Nations, reports on a submarine which collides with an iceberg and frees Godzilla. [28] A few other designs were done before Tsuburaya would approve the final look that was ultimately used in the film. Keep track of everything you watch; tell your friends. New footage with American actors was inserted along with several scenes deleted and altered to Americanize the film. In the American version, only Kong's roar is present on the soundtrack. [4], John Beck enlisted the help of two Hollywood writers, Paul Mason and Bruce Howard, to write a new screenplay. The monsters resume their fight, making their way towards the coastline and destroying Atami Castle before falling off a cliff together into the Pacific Ocean. [24] Years later, Honda stated in an interview. "[27], Eiji Tsuburaya had a stated intention to move the Godzilla series in a lighter direction. A newspaper and television station funded by a pharmaceutical company want a sensation, which happens to be the discovery of King Kong on an island. A brand new Godzilla suit was designed for this film and some slight alterations were done to its overall appearance. The character of Mr. Tako is probably the greediest man in the history of filmdom and he almost causes the destruction of Tokyo in pursuit of the almighty dollar, or in his case yen. From Earth's pollution a new monster is spawned. [26] He stated in an early 1960s interview with the Mainichi Newspaper, "But my movie company has produced a very interesting script that combined King Kong and Godzilla, so I couldn't help working on this instead of my other fantasy films. "[1][29] The decision was also taken to shoot the film in a (2.35:1) scope ratio (Tohoscope) and to film in color (Eastman Color), marking both monsters' first widescreen and color portrayals. Meanwhile, Godzilla arrives in Japan and begins terrorizing the countryside. Ape-like aliens build a robotic Godzilla to destroy Japan, and the true Godzilla may not be powerful enough to destroy it. He sends out an expedition to Farou Island where they discover the god of the island in the form of King Kong. After knocking Kong out with a devastating dropkick and tail blows to Kong's head, Godzilla begins burning the foliage around Kong, trying to cremate him. [40] Besides the suit with the two separate arm attachments, a meter-high model and a puppet of Kong (used for closeups) were also built. Because of that, Toho decided to make Godzilla less demeaning. "[115] The article was reprinted in various issues of Famous Monsters of Filmland in the years following, such as in issues #51 and #114. The giant ape is capture and returned to Japan, upon which it escapes and heads off on a collision course straight towards Godzilla. Disc Three: King Kong Vs. Godzilla (1963) The two mightiest monsters of all time in the most colossal conflict the screen has ever known. Hopefully one day Universal will come to its senses and release the original Japanese version in the US. Female aliens take control of Earth's monsters and begin using them to destroy the human race. [4], With the rise of home video, Westerners have increasingly been able to view the original version and the myth has been dispelled. [17] The bulk of the film was shot on the Japanese island of Izu Ōshima instead. It is also the first time that both characters appeared on film in color and widescreen. A newspaper and television station funded by a pharmaceutical company want a sensation, which happens to be the discovery of King Kong on an island. [3] This adds up to total estimated Japanese gross receipts of approximately ¥2 billion ($6 million). The film stars Tadao Takashima, Kenji Sahara, Yū Fujiki, Ichirō Arishima, and Mie Hama Various media have repeated this falsehood,[117] including the Los Angeles Times. [45] Along with the live animals, two rubber octopus props were built, with the larger one being covered with plastic wrap to simulate mucous. [67] The film was first released on VHS in 1985 and again in 1991. Godzilla is not fazed by King Kong's rock attack and uses his atomic heat ray to burn him. They were forced to move among the miniature huts by having hot air blown onto them. [71] FYE released an exclusive Limited Edition Steelbook version of this Blu-ray on September 10, 2019. It sold 11.2 million tickets during its initial theatrical run, accumulating ¥352 million in distribution rental earnings. [102][103][104] Mechani-Kong was replaced by Mechagodzilla, and the project was developed into Godzilla vs. Mechagodzilla II in 1993. The myth originated in the pages of Spacemen magazine, a 1960s sister magazine to the influential publication Famous Monsters of Filmland. King Kong vs. Godzilla ( 1963) King Kong vs. Godzilla.
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