The Panasonic S1H is upon us. In addition to the classic 24 frames per seconds for Cinema or 50/60 Hertz settings for broadcasting, the LUMIX S1H comes packed with Variable Frame Rate settings and even High Speed Frame rates up to 180 fps (while offering Audio recording and Autofocus) for speeding up or slowing down your sequences. The feature is available in both photo and 4K video capture. By this, LUTs do the job of translating V-Log footage into the final look for your project. Oferuje pełną obsługę V-Log/V-Gamut z 14 stopniowym zakresem dynamiki, przechwytywanie obrazu 6K, 10-bitowe wewnętrzne nagrywanie 4:2:2, kinowe 4K 60p i nieograniczony czas nagrywania. To get this higher sensitivity, the camera’s sensor has a sensitivity switching circuit for each pixel. 4K 4:3, 6K full-frame 3:2, DCI-4K, and more. All you need is a USB-3-cable and the new "LUMIX Tether for Streaming (Beta)" software to feed the live preview of your LUMIX into the computer. LUMIX ambassador Nick Driftwood takes you on a tour through LUMIX S1H’s tools to give you hand in setting your exposure correctly in V-Log. This can for example be a Multi-Camera-Setup or simply one camera and externally recorded audio. The LUMIX S1H has several options via its full-size HDMI-output. Jacob also shows to how connect external displays, such as the Atomos Ninja V Monitor Recorder via the S1H’s full size HDMI-out, how to secure the cable from being accidentally pulled and how to connect up to two Stereo XLR-microphones via the DMW-XLR1 Adapter. Thank you for your submission. Panasonic S1H Review -- First Impressions. The Panasonic Lumix DC-S1H was unveiled at Cinegear earlier this year and the full specifications, pricing, and availability were announced at an event in Hollywood in August. He shows you how to use LUMIX V-Log View Assist to preview your Log-footage with a LUT applied, guides you though using the Luminance Spot Meter and the Waveform Monitor with the aid of a Grey Card and set the exposure values of your camera correctly. In addition, it further complies with 3.5K Anamorphic 4:3. *Dust and Splash Resistant does not guarantee hat damage will not occur if this camera is subjected to direct contact with dust and water. The other major advantage that allows existing S1H owners to breathe a collective sigh of relief is that the firmware is free and can be upgraded in your own home or office. All product specifications, availability, and pricing are subject to change without notice. My full length, real world review of the Lumix S1H, with behind the scenes content is now available to watch here! Within the movie customisation menu of the LUMIX S1H, GH5 and GH5S, you have the option to manually set the black point of your camera. Full-frame mirrorless with a serious penchant for video, the Panasonic Lumix DC-S1H is clearly distinguished by its impressive video capabilities, but also features notable flexibility to suit multimedia applications along with an especially durable design. Panasonic S1H (in box, with all original accessories, minus hot shoe cover) Panasonic DMW-XLR1 Audio Adapter (2) Panasonic Batteries for S1H (in boxes) Panasonic EC6 Eye-Cup (helps when shooting handheld video)(also in box) SmallRig S1H Camera Cage This kit was used professionally, and I take care of my gear. Panasonic’s S Series cameras emphasize durability and ergonomics, with the S1H adding some video-specific tweaks to further the cause. Links; Model Name: Panasonic Lumix DC-S1H : Prices: Compare Prices: Manufacturer URL: Support for overcranking and undercranking with access to 2.5x slow* in C4K/4K and 7.5x super-slow* in FHD***. He explains Colour Depth and how filming with 10-Bit versus 8-Bit gives you much more options in post-production and in converting V-Log footage into linear profiles. Compatible LUMIX models: DC-GH5, DC-G9, DC-GH5S, DC-S1, DC-S1R, DC-S1H, Apple ProRes RAW Output with ATOMOS Ninja V. The Panasonic LUMIX S1H and ATOMOS Ninja V are getting Apple ProRes RAW recording capability — and LUMIX Ambassador, PhotoJoseph is here to offer a sneak peek of it. From explanation of the native L-Mount-lenses to showing how to adopt the wide-spread PL-Mount-lenses to the LUMIX S1H, Jacob explains the options and when to choose which lens. While Full Frame mode gives you the most options for post-production and highest resolution options up to 6K, Super35-mode with up to C4K-resolution is also included. Then, you'll see in Final Cut Pro X how easy it is to recover a 4+ stops over REC.709 exposed shot, and how to manage both HDR and SDR editing from ProRes RAW files. OK, Categories | Introduction | Recording Options | Expanding the setup | Exposure | Sensitivity/HLG | Shooting with V-Log | Others | Software Update | Firmware Update. 6k, full frame, flippy screen, sounds like the perfect camera right? Compatible models: DC-S1H, DC-S1R, DC-S1, DC-S5, DC-GH5S, DC-GH5, DC-G9 *11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting. You'll see how to enable RAW output and recording, learn what resolutions and framerates are supported in both NTSC and PAL, and get some hints on how to expose when shooting ProRes RAW. In addition to the classic 24 frames per seconds for Cinema or 50/60 Hertz settings for broadcasting, the LUMIX S1H comes packed with Variable Frame Rate settings and even High Speed Frame rates up to 180 fps (while offering Audio recording and Autofocus) for speeding up or slowing down your sequences. Create emotional slow-motion footage of up to 30x normal speed (30p/2 fps), *24p/60 fps **24p/180 fps ***The degree of effect varies depending on the recording format and frequency, and the angle of view narrows if a frame rate over 150 fps is selected. The day that it came out, Panasonic's S1H shot to the top of filmmakers' lists of must-have mirrorless cameras for video. The second important factor in colorimetry is chroma subsampling, indicating how a camera interprets colour on a pixel base. Post-production from anamorphic lenses makes Cinemascope possible. To support manual focussing, the S1H offers a customizable focus peaking option, magnification up to 20x and a punch-in to adjust focus on the spot. He will show you how to fit a camera cage to the LUMIX S1H, how to mount a Schneider Xenon Cine lens with PL-mount and how to attach the follow focus unit. It provides over 14 stops of dynamic range in V-Log and an ultra-wide Gamut, which includes BT2020 and HLG (Rec.2100) for the greatest flexibility when editing. You'll see how to enable Apple ProRes RAW output and recording, what resolutions and framerates in both NTSC and PAL are supported, and learn some hints on how to expose when shooting Apple ProRes RAW. LUMIX Ambassador, Steven Clarey, explains the differences of PAL-, NTSC- and Cinema-settings. S1: 148.9 x 110 x 96.7mm, 1021g; S1H: 151.0 x 114.2 x 110.4 mm, 1164g; The increased size has allowed Panasonic to … Jacob shows you the relationship of V-Gamut to other colour profiles, such as Rec.709, Rec.2020 or Rec.2100, ensuring compatible to your destination project format or colour space. LUMIX S1H Cinema Camera Firmware Update (HTML), LUMIX S1H Cinema Camera Operating Instructions (Advanced) (PDF), LUMIX S1H Cinema Camera Operating Instructions (Basic) (PDF), LUMIX S1H Cinema Camera Specifications (HTML), Netflix Approved Camera Production Guide (HTML), DP Nick Dabas Captures Extreme Action With the Lumix S1H (HTML), DP Carissa Dorson Captures Projects with VariCam, EVA1 & S1H Cinema Cameras (HTML), LUMIX S1H Cinema Camera Support & Live Chat (HTML), LUMIX S1H Cinema Camera Knowledge Base (HTML), BT-LH1770 16.5" 10-bit LCD Production Monitor, AV-UHS500 4K 12G-SDI / HDMI Professional Live Video Production Switcher, CINELIVE: Cinematic Multicam Live Production, LUMIX S1H Full Frame Mirrorless Cinema Camera, Newly Designed Full Frame Sensor - 24.2MP full-frame MOS sensor offers a wide dynamic range and sharp, natural expression at high sensitivity settings, 6K 10-bit Video - Includes full-area 3:2 6K/24p, C4K(4096 x 2160) and Anamorphic modes, Dual Native ISO - Offers the advantages of very high sensitivity for low-light shoots while suppressing noise levels, allowing the camera to switch from a standard sensitivity to a higher sensitivity with almost no noise degradation, V-LOG / V-Gamut - Features a wider 14+ stops of dynamic range, which are compatible with the Cinema VariCam Look, to capture everything from shadows to highlights, Rugged Mirrorless Camera Design - Dust/splash/freeze-resistant design withstands heavy field use under harsh conditions for high mobility. LUMIX Ambassador Jacob James introduces this format and the corresponding colour space: V-Gamut. The LUMIX S1H is the first mirrorless cinema camera to join the Netflix Approved camera list. Codecs offer up to 400 Mbit/s and are either All-intra or Long-GOP. The S1H is a full-frame mirrorless camera designed with videographers in mind. Featuring a rich color profile, C4K/4K 30p/25p/24p 4:2:2 10-bit video is recordable in-camera. Corresponding to C4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). With Cinema VariCam Look compatibility and 14+ stops dynamic range, V-LOG and V-Gamut is preinstalled for accurate color reproduction, subtle gradations and precise color control in post-production. Then, you'll see in Final Cut Pro X how easy it is to recover a 4+ stops overexposed shot, and how to manage both HDR and SDR editing from Apple ProRes RAW files. The Luminance Spot Meter function allows you to see the luminance value of any area of the image in order to easily adjust exposure settings to monitor the consistent values in different lighting situations or set the exposure value quickly with a reference, such as a grey card. The S1H offers a full-frame sensor with up to 6K-resolution, has a sophisticated feature-set for professional cinematographers and offers anamorphic filming. Learn about Gamut and how SDR’s Rec.709 differs from BT2020/Rec.2020. Panasonic Lumix S1H to trzeci model aparatu ... , przeznaczony zarówno dla fotografów, jak ... dawno temu Panasonic zapowiada 4 obiektywy f/1.8: 24, 35, 50 oraz 85 mm The camera is dust and splash-resistant* and designed for use in temperatures as low as 14°F. V-Log footage is often tricky to expose. *For a Full-frame Digital Single Lens Mirrorless Camera, as of August 27th, 2019. The Panasonic Lumix S1H adjusts the sound input level automatically, minimising sound distortion (clipping noise) when the volume is too high. In this video, LUMIX Ambassador Jacob James will explain monitoring, transformation and creative LUTs and how to use them. I got to spend a short amount of time with a pre-production version of the camera at that event, but now I have a full production version to put through its paces. A Panasonic representative will contact you. Panasonic S1H Review - S1H Specifications. Using V-Log will preserve the most dynamic and tonal range from a RAW-signal making it the best format to prepare for post-production. As a result, the new camera is slightly heavier as well. To dissipate the heat generated by recording non-stop, a highly-effective and independently operating fan is now included within the body — an industry first*. Filmmaker and LUMIX Ambassador Nick Driftwood shows and explains the difference between Standard Dynamic Range and High Dynamic Range (HDR) and how to get the best quality output for Standard and HDR-Displays. LUMIX Ambassador Steven Clarey takes you through these options and explaining examples, such as capturing 4K/60p footage in 10 Bit on an Atomos Recorder Monitor – also to give you access to other codecs, such as ProRes HQ. There are times, when you wish to also record externally to create a second file for backup purposes or for having one in another resolution. The LUMIX S1H is equipped with Tally Lights on the front and back, which can be individually switched on – or kept off There is also the possibility to set a red frame to the Viewfinder / Monitor, indicating that the LUMIX S1H is recording. The company's GH5 was already … The newly designed 24.2-megapixel full-frame CMOS image sensor can leverage a dual-base ISO setting, resulting in outstanding image quality in lowlight with minimized noise from low to high sensitivity. To find out more about the cookies we use or how to change your settings, please see our Cookie Policy. Broadcast, Cinema & Pro Video Accessories. This will reduce the wind noise coming into the built-in microphone while maintaining sound … Panasonic Lumix S1H - gwiazda srebrnego ekranu Panasonic Lumix S Pro 24-70 mm f/2.8 - pierwszy jasny reporterski zoom w systemie Panasonic Lumix S1H - bezlusterkowy potwór nakierowany na profesjonalnych filmowców. Time code and audio information can be customized with switchable black or white backgrounds. 2 (Image Stabilizer)*, intelligent compensation provides an equivalent to 6.5-stops of exposure compensation, meaning sharp photos from slower shutter speeds**. The magnesium-alloy frame boasts splash and dust resistance, while the control scheme has been optimized for video. Our website uses cookies and similar tools to improve its performance and enhance your user experience and by continuing to use this website without changing your settings, you consent to their use. Do wyboru mamy trzy tryby pracy: wykonanie kopii zapasowej na drugiej karcie, użycie drugiej karty po zapełnieniu pierwszej lub przeznaczenie jednej karty na film, a drugiej na zdjęcia. Podsumowanie ⭐ Panasonic Lumix DC-S1H. Panasonic has a long and rich history in the interchangeable-lens camera market. Images may be simulated for demonstration purposes. For smaller file sizes, the options to record in 4:2:0 is handy, but for better colour accuracy, a 4:2:2 option is the better choice – and implemented in LUMIX S1H, S1 and GH-Series (from GH4). VFR functionality supports both overcranking and undercranking. Shooting in HLG gives you the best options for delivering content for both HDR- and SDR-use. $3,999.99 MSRP. He will also introduce the Synchro Scan tool, which ensurs that capturing footage with flickering is minimised. Super-fast sensor-lens communication of 480 fps and Panasonic’s DFD (Depth From Defocus) technology help make high-speed, high-precision autofocus of approximately 0.08 seconds a reality*. V-Log is a flat format and needs interpretation and adjustment to get the final colour appearance. Newark, NJ (May 31, 2019) - Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. The newly developed high-resolution 1.8-inch status LCD presents optimal information for still photography or videography. LUMIX Ambassador Jacob James introduces you to the exposure tools of the S1H and how to set them. *5-axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of August 27, 2019 **Based on the CIPA standard (Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used). Panasonic has announced the video-focused, full-frame Lumix DC-S1H, a mirrorless camera that can shoot 6K video with a full-frame sensor!The stunning S1H will undoubtedly change the game for cinema focused users, it is specifically designed for video recording, and is the first full-frame to be able to record 6K video at 24fps. With the 5-axis Dual I.S. Przyjrzyj się kluczowym powodom i zobacz jak Panasonic Lumix DC-S1H wypada w rankingu aparat fotograficzny. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K. LUMIX Ambassador Nick Driftwood explains about different Timecode settings available, shows you how to sync with Timecode and also how to tie in non-Timecode devices (such as the LUMIX S1 or LUMIX GH5) via external Timecode generators, such as the Tentacle Sync-System. 17-08-2020 Aparat Panasonic LUMIX DC-S1H otrzymał nagrodę EISA, dla najlepszego aparatu w 2020-2021 HDR modes in HLG format: 4K HEVC (HLG) video mode and Photo Style “Like2100.” On HDR devices, you'll view amazing dynamic range and extremely fine gradations of light and dark. For an easy overview, the LUMIX S1H comes equipped with a dedicated menu option: The recording mode filter.